1/20/2024 0 Comments Keep on truckin comics imagesIn1967 he created Zap Comix, personally sellingcopies out of a baby carriage in the Haight-Ashburydistrict during the fabled "Summer of Love." The"underground" comic book became a cult hit, leading totwo solo Zap sequels before Crumbcharacteristically began sharing the title's contentand royalties with other Bay area artists. His drawing style and subject matter werepermanently affected by the mind-altering drug. There,caught up in the burgeoning counter culture, he beganusing LSD. Crumbsettled in at American Greeting Cards in Cleveland,cranking out cute illustrations for the mass market.One day in 1966 he walked away from his job andimpulsively accepted a ride to San Francisco. Kurtzman helped Crumb land odd jobsdrawing trading cards and promotional material forWoody Gelman's Nostalgia Press, but he had no furtherpractical work for Crumb, having committed to a a longrun on "Little Annie Fanny" for Playboy. Crumb was in the process of movingto New York to become Kurtzman's new Assistant Editor(replacing future Monty Python member and filmdirector Terry Gilliam) when Help! folded in1965. Crumb has said that seeing the WillElder/Jack Davis cover of Humbug #2 "changedhis life."īy 1964 Crumb was good enough forKurtzman's latest satire magazine, Help!,contributing early "Fritz the Cat" pages, and a starkdocumentary cartoon view of the streets of Harlem.Impressed, Kurtzman sent the 21 year-old Robert andhis new bride Dana on an unlikely honeymoon assignmentto Bulgaria, resulting in grim images of the backwardSoviet satellite. An avid and earlycomic book reader, Robert was heavily influenced bythe work of Harvey Kurtzman (creator of MAD),particularly Humbug, a short-livedexperimental satire publication (1957-58) that hepored over. At a certain point in his teens Robertsurpassed his brother's skill level, an event thatpermanently scarred Charles' psyche. His life has been thoroughlydocumented, both by ample numbers of his ownno-holds-barred autobiographical comics and in severaldocumentaries, including the award-winning Crumb byTerry Zwigoff.Īs a boy in Milford DE andPhiladelphia he spent countless hours creating homemade comic books, initially under considerablepressure from his domineering older cartoonist brotherCharles. Hehas increasingly achieved recognition in the high-browfine art world, a status denied even famous fellowartists who labor in the traditionally low-browcartooning profession. His comics are distinctive fortheir cross-hatched artistry, idiosyncraticstory-telling and uncompromising subject matter. Crumb) (1943-) is the most prominent member of the"underground comix" movement.
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